Hyper Guards, Drawing at the Musee D’Orsay
February 29th, 2008Went back to the sculputre hall of the Musee D’Orsay yesterday to draw (graphite and ink wash). The Musee was built in 1986 out of an old train station. Very nice and a very large impressionist collection. It’s also a good place to draw, though most of the “seating” is behind the sculpture rather than in front of it. Aside from being distracted by groups of French children gathering around me to watch, I could see the guards are bored to tears, looking for things to do rather than reading the paper and chit chatting with each other. First they told me I couldn’t bring in drawing materials. After some discussion they decided it was ok. Then, while I was drawing, a guard spotted my eraser, a pen and another pencil in a little container on the bench next to me…. a leather bound case. I usually use more than one pencil or pen when drawing. She insisted I put them in my back pack. “Hey buddy, put them in or you’re outa here (my liberal translation of her French). . I tried to explain that I needed them to draw. Tough shit. Heck, I’ll bet the’yd chuck Degas out on his ass on the sidewalk if they found him drawing in there. Outside the musee were about a dozen artists selling their work. All ink line drawings of the Eiffel Tower, the Champs, etc… in dayglo colors. I think they do this because that’s what people want to buy. My guess is that they are pretty good painters, but these colored pens and watercolor on paper is cheap and sells.
So, did an ink wash of a stature of Pan being attacked by wolves (Pan et Oursons) by Emmanual Fremiet (shown at the 1864 Salon) and one of a very large bearded fellow from down below – I was looking up at him under his chin: Anacreon by Eugene Guillaume, shown in the Salon of 1852. These were practice exercises, and not finished drawings. Considering the distractions I’m happy enough to have gotten something done, though sitting on hard marble blocks for 4 hours was uncomfortable for this old man. Can’t draw outside. Wet and rainy weather precludes that.
Rebecca is over her cold. Today we are going shopping for Clare’s lunch, to a concert at La Madeleine (Liturgical Chant), a church known for weddings of the rich and famous. Hopefully also to some galleries around the Picasso musee. We also will scout out a restaurant where Rebecca is taking me to dinner for year number 68.